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TOPVEREX EXHIBIT 2007
The gallery provides quarterly exhibits at the Verex Building, 150 East Gilman Street.
The Verex Building is located on Lake Mendota, next to James Madison Park.
The lobby is open for viewing the exhibit during business hours 9 a.m. to 5 p.m.
Please select from the seasons below to view exhibits
Winter Leslie DeMuth Spring Barbara C Anderson
Summer Denise Presnell-Weidner Autumn Dagny Quisling Myrah
Winter Exhibit |
: Leslie Demuth : Wisconsin Landscapes : |
January - March |
![]() Left: Leslie DeMuth, Buddy's Farm, January, 2006, Oil on Canvas, 26" x 48" |
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Center: Leslie DeMuth, Wisconsin River Farmsted, 2006, Oil on Canvas, 46" x 48" |
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Right: Leslie DeMuth, August Sunrise, 2006, Oil on Canvas, 24" x 60" |
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Left: Leslie DeMuth, September Garden, 2006, Oil on Board, 16" x 28" |
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Center: Leslie DeMuth, Karl's Garden, 2006, Oil on Board, 10 " x 18" |
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Right: Leslie DeMuth, Cottage on the Lake, 2006, Oil on Canvas, 10 " x 30" |
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Leslie DeMuth, Wisconsin River Farmsted, 2006, Oil on Canvas, 46" x 48" |
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Leslie DeMuth, August Sunrise, 2006, Oil on Canvas, 24" x 60" |
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Leslie DeMuth, Carl's Garden , 2006, Oil on Canvas |
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As a landscape painter living at the turn of the millennium, I am a preservationist of a threatened world. I paint in the dawn and through the changing light of the day the endangered natural and agricultural vistas. As people speed ever faster through their lives, spend their days and nights in human-made environments, I capture in oil paint the bend of prairie grass heavy with seeds, the color of the sumac flaming in an autumn dusk, the light on the snow of a wintry woods. As a landscape painter living at the turn of the millennium, I am a preservationist of a threatened world. I paint in the dawn and through the changing light of the day the endangered natural and agricultural vistas. As people speed ever faster through their lives, spend their days and nights in human-made environments, I capture in oil paint the bend of prairie grass heavy with seeds, the color of the sumac flaming in an autumn dusk, the light on the snow of a wintry woods. I have been a landscape painter for almost 30 years. I began my work in the Flint Hills of Kansas, painted coastal New England for many years, and now make my home outside of Lake Mills, Wisconsin, with my husband, Steve Bower. As a painter of the natural world, old architecture, and gardens, I've found our new home to be perfect. We built it on an old farm site that overlooks an Audubon Sanctuary prairie and the Crawfish River. We moved a nearly century-old town hall to our property in 2003 and turned it into a studio/gallery/woodworking shop. Our house is solar and we are in the process of surrounding it with flower and vegetable gardens. Maybe someday we will have the time to resurrect the old orchard! Living here I do not have far to look for inspiration. Every morning the sun rises over the prairie with the river beyond reflecting back the color of the sky. Every sunrise is a new painting. The natural world has always been a source of wonder and delight for me. After these many years of painting I still seek to capture the beauty that I see every day. Each painting is a poem of gratitude. I love old architecture and the sense of history and life stories that it represents. I find more grace in the simple lines of an old barn than I do in most recent structures. I appreciate the jumble of shapes and colors of a flower garden and the orderly rows of a vegetable plot. The light on an old building changing as the day passes, the garden coming to fruition and fading with the season ─- these are the transitory moments that you will find in my work. I pay attention. I paint the wonder of the world. Leslie DeMuth |
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Leslie DeMuth painting on location at Buddy's Farm.
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Spring Exhibit |
: Barbara C Anderson : Watercolor, Monotype & Pastel |
April - June |
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Display of Barbara Anderson's work at the Verex Building, Madison, Wisconsin, Left wall Main Lobby -- April - June 2007
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Display of Barbara Anderson's work at the Verex Building, Madison, Wisconsin, Right wall Main Lobby -- April - June 2007
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Left: Barbara C Anderson, Spring Birch, 2006, Watercolor, 19" x 13 1/2"
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Barbara C Anderson, Birch at Sunset , 2006, Watercolor, 22" x 30" |
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Barbara C Anderson, Day Break , 2006, Monotype & Pastel, 25" x 44 1/4" frame |
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Barbara C Anderson, Mysterious Asparagus, 2006, Watercolor, 15" x 19" |
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Barbara Anderson, Stately Onion,2006, Watercolor, 37 " x 30" |
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Barbara C Anderson, Elegant Beans , 2006, Watercolor, 30 1/2" x 25" |
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Painting landscapes has been a gratifying art expression for centuries.
Personally, I have found landscape painting to be an excellent way to illustrate
my appreciation of nature and my commitment to art. My artwork is inspired by
many experiences, biking in rural Dane County, hiking and skiing in the
mountains, and view our prairie and garden. Expressing my love of nature and
sharing this love with others through my painting, gives me great pleasure. To use
a current phase - " It is my passion !" In this show, the images of nature are taken
a step beyond reality as they are modified by my imagination. I have
accomplished this through color, texture, and strong contrasts of light and dark
whether it is a broad landscape with a dramatic sky or a small detail of a flower.
I hope that in viewing my work you will find an image with which you can identify.
Barbara Anderson
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Summer Exhibit |
: Denise Presnell-Weidner : Bridges : |
July - September |
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Artist’s Statement
Bridges
Bridge: A structure built over a depression or obstacle for use as a passageway.
Bridges have been a part of my life from the time I was born. My father built
many a bridge as a road construction worker and eventually foreman from the
time I was born. My entire early life was spent following the construction of
bridges across Nebraska’s highways. Even as a child, the most memorable
adventures I spent with my mother, who would take us girls, and eventually my
brother many years later — for a trip to explore the banks of the Little Blue River,
would be spent climbing beneath bridges with the chance of finding an
arrowhead or two. That experience permeated my visual world and returns to
me now as an opportunity to explore that form as a venue to new experiences.
I have spent a great deal of the past many years creating paintings or pastels
of the Sheboygan or Pigeon Rivers near my home. Having devoted my imagery
to images of pure nature — I ignored all man made structures, whether they be
bridges or buildings. There were times I used the framing of a bridge like a
viewfinder to frame my composition — but I would never include the structure
itself. A couple of years ago I was drawn to bringing that geometric form inside
my picture frame. The juxtaposition of the man made with nature seemed a
natural for me. Just including an edge of a bridge felt like a breath of fresh air for
me as an artist. The bridge was becoming that opportunity for change that
reinvigorates an artist long since stuck in a quagmire of repetitive images.
Having spent at least a dozen years avoiding geometry, contrast and spatial
depth, the inclusion of this geometric form gave me an opportunity to also return
to the joy of painting flat planes. I had forgotten how pleasurable it was to drag
a brush across the surface of the canvas, changing the color and value slowly. I
had become simply tired of covering my canvases with splashes and dabs of
paint even though I knew this was what was expected of me by now. I knew I
needed a change but I wasn’t quite sure how far to look for something new in
my work. The bridge form literally and figuratively facilitated that change. As the
definition above suggests, I discovered a passageway to change in my work,
overcoming an obstacle of expectation.
Denise Presnell-Weidner
Winter Spring Summer Autumn Page Top
Autumn Exhibit |
: Dagny Quisling Myrah : Wisconsin Landscapes : Oil on Canvas :
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October - December |
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Display of Dagny Quisling Myrah's work at the Verex Building, Madison, Wisconsin, Left wall Main Lobby -- Oct - December 2007 From left: Road To Blue Mounds , Wisconsin River Valley Diptych, Through the Woods. |
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Display of Dagny Quisling Myrah's work at the Verex Building, Madison, Wisconsin, Right wall Main Lobby -- Oct - December 2007 From left: Harvest Moon , Glowing Roofs. |
Artist Statement
The Wisconsin landscape is my inspiration. I grew up across the street from theWisconsin landscape artist, Marshall Glacier. It may be that the time I spent in his studio as a child encouraged me to become an landscape artist. As a life long resident of Wisconsin, I cannot help but feel alarmed at the large numbers of houses and developments that are engulfing the rural landscape. I hope to preserve some of my favorite rural views through my paintings. Sometimes I can see a familiar view in a new way that inspires a painting. A tree may appear orange from the sun as it is setting and since color is one of my strongest interests, this is a time of day I often look for inspiration. In this show many of my paintings concentrate on life here in the Madison area. This year I have added human figures to some ofmycompositions. ("Morning Farmer's Market" and "No Lifeguard On Duty", the beach at Vilas Park the first day it is officially closed. ) Pheasant Branch Conservancy is now my backyard and naturally the beauty of this wild life area has also attracted me. (" Pheasant Branch Creek" and "Lonesome Trees".) For over twenty years I have worked at Westwing Studios in Verona, which is located at the Dane County hospital Badger Prairie Health Care Center. At Westwing Studios the artists spend time working with the residents of the hospital in exchange for studio space. This arrangement between artists and government might be unique in the United States. Dagny Quisling Myrah
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• Phone:(608)255-1211 • Fax:(608)663-2032 • email: staff@gracechosygallery.com • |
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