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DECEMBER EXHIBIT 2011
Three Artists
For Your Holiday Pleasure
Paula Schuette Kraemer, Anna Lambrini Moisiadis, Mark Mulhern
Paula Schuette Kraemer: Artist Statement Artist Resume
Anna Lambrini Moisiadis: Artist Statement Artist Resume
Mark Mulhern: Artist Statement Artist Resume
More coming
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PREVIEW of the Exhibit - For Individual images click name above
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| Paula Schuette Kraemer, Another Sighting Every Time I see a Moose, 2011 Drypoint monoprint on paper with oil stick on mylar, 22 1/2" x 22 1/2" Unique piece |
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| Paula Schuette Kraemer, Greetings, 2011, Intaglio and drypoint 22 1/2" x 22 1/2" Edition of 20 |
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Paula Schuette Kraemer, Red Deer Line, 2011, Intaglio and drypoint |
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| Paula Schuette Kraemer, On a Winter's Day, 2011
Soft ground etching on rice paper over monotype, 22 1/2" x 22 1/2" Unique piece
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Paula Schuette Kraemer, Roasting Marshmallows with Manners, 2011 Drypoint and Monotype, 22 1/2" x 22 1/2" Edition of 20 |
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Paula Schuette Kraemer, Deer Path , 2011 Monotype with graphite on mylar overlay, 22 1/2" x 25" image Unique piece |
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Paula Schuette Kraemer, Deer Line, 2011 Monotype with graphite on mylar overlay, 22 1/2" x 22 1/2" Unique piece |
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Paula Schuette Kraemer, Dusk, 2011
Oil stick on mylar over intaglio, 22 1/2" x 22 1/2" Unique piece
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Paula Schuette Kraemer, A Two Deer Day, 2011
Drypoint and Intaglio, 22 1/2" x 22 1/2" |
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Paula Schuette Kraemer, Calming Down , 2011
Drypoint with oil stick on mylar, 22 1/2" x 22 1/2" |
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Paula Schuette Kraemer, Pleased to Meet You, 2011 Above as framed; below image only |
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December 2011 Exhibit Installation Individual images from left to right on wall below: |
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Anna Lambrini Moisiadis, Little Windows, 2011, hand-cut handmade & handcolored paper Center Detail Below: |
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Anna Lambrini Moisiadis, Παράθυρa, 2011 Details below: |
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Anna Lambrini Moisiadis,
pa?????a (Detail), Relief print and copper, 2011 |
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Anna Lambrini Moisiadis, From Straw, 2011, Hand-cut rice paper Detail below: |
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Anna Lambrini Moisiadis, Lilika 10, 2011 Close-up below: |
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Anna Lambrini Moisiadis, Lilika 7, 2011 Close-up below: |
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Anna Lambrini Moisiadis, All Night, 2011, Hand-cut Handmade paper & copper, 2011 image: 15" x 15", maple frame: 24 1/2" x 24 1/2" |
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Anna Lambrini Moisiadis, All Day, 2011, Hand-cut Handmade paper & copper, 2011 Detail below: |
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Anna Lambrini Moisiadis, Lilika 5, 2011 Close-up below: |
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Anna Lambrini Moisiadis, Lilika 1, 2011 Close-up below: |
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Anna Lambrini Moisiadis, Lilika 1, 2011 Close-up below: |
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Mark Mulhern, Drawing, 2011, Mixed media |
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Mark Mulhern, Bakery, Charcoal & pastel drawing, 2011, 42 1/4" x 44 3/4" |
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Mark Mulhern, Pigeons, Monotype, 2011, 41 1/2" x 29 1/2" |
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Mark Mulhern, Pigeon 1 , Charcoal & pastel drawing, 2011, 42 1/4" x 44 3/4" |
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Mark Mulhern, Green Flat with Pigeons, Monotype, 2011, 41 1/2" x 29 1/2" |
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Mark Mulhern, Dog and High Heels, Charcoal & pastel drawing, 2011, 36 " x 40" |
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Mark Mulhern, Blue Pigeon, Monotype, 2011, 41 1/2" x 29 1/2" |
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Mark Mulhern, Pigeon Study, Monotype, 2011, 41 1/2" x 29 1/2" |
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Mark Mulhern, Roller Blades, Charcoal & pastel drawing, 2011, 41 1/4" x 45 1/2" |
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Mark Mulhern, German Shepherd, Monotype, 2011, 41 1/2" x 29 1/2" |
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Mark Mulhern, Thoughts, Charcoal & pastel drawing, 2011, 41 1/4" x 45 1/2" |
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Good Day!! What in a day cheers you up? What provides balance when the news is negative, our to-
do lists are long (and seemingly important) and life seems to be a series of tallies on what has
been achieved? For me, it’s marveling at nature when it walks by or even confronts me head
on. Such an experience is like a present that brings with it a special lesson, or even a sense of
excitement; and there is the realization that Paula Schuette Kraemer |
Artist Resume 2011
PAULA SCHUETTE KRAEMER
EDUCATION Vassar College 1966-68 EXHIBITIONS Beloit and Vicinity Show, Beloit, Wisconsin - 1983, 1988, 1991, 1992, 1993, 1994 PERMANENT COLLECTIONS Cuna Mutual, Madison, Wisconsin GALLERIES REPRESENTING WORK Grace Chosy Gallery, Madison, Wisconsin |
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Artist Statement 2011
Anna Lambrini Moisiadis Παράθυρa (windows) ÐáñÜèõña. This series of work was inspired by the intricate lacework and
embroidery my grandmother used to make. With this kind of handwork, repeated
movements create spaces, little windows, that let light through and transform the
textile into something delicate and beautiful. I use the same artistic process to create
my artwork, turning a commonplace medium, like paper, into a complex experience
for the senses. I use repetition as guideline, a system. Through this limitation I have
made aesthetic discoveries: specifically, the importance of the touch of the hand
and the imperfections left behind. These imperfections are the layers of the art
process. They are the history of the piece and reflect what it means to be human: an
endeavor for perfection with the limitations of our physiological and psychological |
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