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Artist Information: Statement Resume

July 10 - Aug 2, 2009:

Helen Klebesadel :

Ecologies : Nature & Nurture

Watercolors

Opening Reception : Friday July 10th 6-8 p.m.
Prices on Request : Phone: 608-255-1211, e-mail: staff@gracechosygallery.com

Views across the gallery
- Individual images below -

Main exhibit gallery: left side
From far left: Leaves in Water I; Leaves in Water II; Karners Love Lupine; Ants Love Peonies; Prairie II; Where Are the Bees I; Where Are the Bees II; Save the Honey Bees; Prairie II

Main exhibit gallery: right side

Main exhibit gallery: far right side
From left: Pink Peony Study; Moccasin Flower Field; Native Roots I; Native Roots II; Yellow Lady Slipper Field

Main exhibit gallery: near right side
From left: North Bound; Hollyhock Spiral; Winter Lace I; Bluebirds Love Sumac; Winter Lace II

Pedastle with small paintings and Leaves In Water III

Small watercolors framed 3 3/4" 2 3/4", sold separately

(Top) Row One: Milkweed Pod • Morel I • Humming Bird I •Columbine I • Honey Bee • Butterfly Weed

Row Two: Wild Lupine •Leaves I • Shooting Star • Moccasin Flower • Leaves II • Morels II

Row Three: Cardinal Flower I • Milkweed Flower • Pasque Flower • Humming Bird II • Great Lobelia •Prairie
Smoke
Row Four: Columbine II • Columbine III • Lady Slipper • Cardinal Flower II • Columbine IV • Strawberry

Helen Klebesadel, Leaves In Water I, 2009, Watercolor, image 6 1/2" x 4 1/2"; frame 13" x 10"

Helen Klebesadel, Leaves In Water II, 2009, Watercolor, image 4 1/2" x 6 1/2"; frame 10" x 13"

Helen Klebesadel, Leaves In Water III, 2009, Watercolor, image 6 1/2" x 4 1/2"; frame 13" x 10" " x 30"

Helen Klebesadel, Karners Love Lupin, 2009, Watercolor, 22" x 30"

Helen Klebesadel, Ants Love Peonies, 2009, Watercolor, 21" x 29" image

Helen Klebesadel, Prairie I , 2009, Watercolor, 40" x 28" image

Helen Klebesadel, Where Are the Bees?, 2009, Watercolor, 29" x 21" image

Helen Klebesadel, Where Are the Bees II, 2009, Watercolor, 29" x 21" image

Helen Klebesadel, Save the Honey Bees?, 2009, Watercolor, 14" x 19" image

Helen Klebesadel, Prairie II, 2009, Watercolor, 28" x 39 3/4" image

Helen Klebesadel, Pink Peony Study, 2009, Watercolor, 17" x 19 3/4" image

Helen Klebesadel, Mocassin Flower Field, 2009, Watercolor, 15" x 22" image

Helen Klebesadel, Native Roots I , 2009, Watercolor, 29 x 21" image

Helen Klebesadel, Native Roots II, 2009, Watercolor, 29 " x 11 3/4" image

Helen Klebesadel, Yellow Lady Slipper Field, 2009, Watercolor, 14" x 21" image

Helen Klebesadel, North Bound, 2009, Watercolor, 27" x 38" image

Helen Klebesadel, Hollyhock Spiral , 2009, Watercolor, 21 1/2" x 30" image

Helen Klebesadel, Winter Lace I, 2009, Watercolor, 29" x 21" image

Helen Klebesadel, Bluebirds Love Sumac, 2009, Watercolor, 20" x 29" image

Helen Klebesadel, Winter Lace II, 2009, Watercolor, 21" x 14" image

Please visit the Verex Exhibit page to view Helen's work on display

Prices on Request : Phone: 608-255-1211, e-mail: staff@gracechosygallery.com
Gallery hours: Tuesday - Saturday 10 a.m. to 5 p.m

Nature: Inside Out
Hand Made: Quilts & Other Needle Art
2007 Exhibit

Helen Klebesadel, Weather Or Not, 2007, watercolor, 30 1/2" x 22"

Helen Klebesadel, Spiral Blanketflower, 2007, watercolor, 22" x 30 1/2"

Helen Klebesadel, Spiral Cabbage, 2007, watercolor, 30 1/2" x 22"

Helen Klebesadel, Finches Sunflowers and Dragons, 2007, watercolor, 30 1/2" x 22"

Helen Klebesadel,Yellowlily, 2007, Watercolor, 22" x 30"

Helen Klebesadel, Wallflower Peonies II, 2007, Watercolor, 22" x 15"

Helen Klebesadel, Wallflower Poppies, 2007,Watercolor, 22" x 30"

Helen Klebesedel, Portals, 2007, Watercolor, 40" x 28"

Helen Klebesadel, Wallflower Ladyslipper, 2007, Watercolor, 15" x 22"

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Helen Klebesadel

Nature Inside Out
Recent Watercolors by Helen Klebesadel

It is not half so important to know as to feel. -Rachel Carson

When you take a flower in your hand and really look at it, it's your world for the moment. I
want to give that world to someone else. Most people in the city rush around so, they
have no time to look at a flower. I want them to see it whether they want to or not. -
Georgia O'Keeffe

I believe in God, only I spell it Nature. -Frank Lloyd Wright

Some of my family members have commented that I seem to be deeply influenced by the
large rose wallpaper that covered the walls in the rural Wisconsin farmhouse where I was
raised. It is true that I am endlessly fascinated by the everyday wonders of nature as well as
by the many ways humans have of bringing representations of nature into our lived
environments.
This exhibition is a part of a longer journey that is a search for the core of our human
connection to nature. It is a journey "from the inside out," that considers how our emotional
connections to nature can be born through aesthetic sensibilities. I use my artist’’s eye to
note and document the fleeting miracles of the everyday. Aesthetic encounters that
connect viewers with the sensual essence of nature can be a potent means of promoting a
sense of care for the natural world. While the deepest connections are developed through
direct contact with nature, art can evoke the desire for more or recall past experiences of
awe.
My visual concerns run the gamut from careful study to poetic, symbolic and sometimes
political representations of nature. As a gardener I can be caught contemplating a single
flower until time is lost, knowing the opportunity for study is fleeting. Wallflowers and related
works in this exhibition echo the abundance of this year’’s summer garden and document my
times of careful looking and meditation on the transient vulnerability of beauty, life, and
nature. These ‘‘wallpapers’’ create opportunities to consider the metaphor of fragile strength.

Increasingly, for many in our culture, nature has become an abstract concept. We have
become divorced from direct contact with the natural environment unless it intruded upon us
in the form of weather or its consequences. In the still live paintings included in the exhibition I
work with well established artistic conventions, and try to twist them to my own ends. Still life
has a long history of symbolic representation of nature to comment on the human condition.
My still lives juxtapose decorative and living nature in domestic settings as I try to find a way
to represent bringing ‘‘real’’ nature inside. Living nature will not acquiesce to abstraction.
What does it mean that we cover our walls, our clothes, and our personal environments with
representations of nature? How is it we are drawn to representations of nature but seem to be
moving farther and farther from understanding ourselves as a part of nature; of knowing
where our food, air, and water comes from; and of being responsible stewards for the earth?
Perhaps art can lead us back to nature.

Helen Klebesadel
September 2007

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Hand Made: Watercolors by Helen Klebesadel My mother crocheted hot pads in the shape of fish and flowers and my father could make magic with wood. My grandmother could make anything out of cloth and thread. I would point to a dress in an advertisement and she would make it with patterns she cut out of newspapers. She was amazing. She taught me how to hem with black thread on white cloth so the stitch didn?t show. She had learned this from her mother. My earliest memory of my great grandmother (when she was 98) was looking at the crocheted tablecloth she had made and watching her work on a crazy quilt. When I was growing up wearing or decorating your home with anything home made not was ?not cool?. I thought having things that I or someone else made was wonderful but I realized many people thought it meant we couldn?t afford to buy new. They were correct. I no longer do much needlework. I'm not patient enough to do it, but I have the patience and pasion to paint. These paintings are tributes to the women whose art I didn?t know should be called art. I know now the space they made in their laps with their needlework was a place where they created the same kind of ?flow? that I experience when I am immersed in my painting. Time has changed. We don?t seem to have as much now. It is a signal of status to be able to purchase one of a kind hand-made items, but few of us make any kind of art or craft. It is our loss. There is nothing better than giving yourself the time to make, and create, and to share your creations with your community. There are artists reclaiming these art forms all around us. These watercolors honor them and the artists who taught me.		Dresden, 2005, watercolor, 30" x 40" Drunkard's Path , 2005, watercolor, 28" x 22"


Cut Work I , 2005, Watercolor Cut Work Center , 2005, watercolor

Trapunto Web , 2005, watercolor	Trapunto Fern , 2005, watercolor	Trapunto Star , 2005, watercolor

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ARTIST RESUME

Helen Klebesadel

SELECTED EXHIBITIONS

• Solo Exhibitions
2007 Nature Inside Out, Grace Chosy Gallery, Madison, WI
2006 Allliant Center, National Quilt Expo, Madison, WI
2005 National Humanities Center, Research Triangle Park, North Carolina
2005 Grace Chosy Gallery, Madison, Wisconsin
2005 Tate Gallery, University of Georgia-Athens, Athens, Georgia
2004 WSRC Gallery, University of Wisconsin-Madison, Madison, Wisconsin
2002 LRC Gallery, Rhinelander, Wisconsin
2002 Birch Gallery, University of Wisconsin-Stout, Menomonie, Wisconsin
2001 HUB Robson Gallery, Pennsylvania State University, University Park, PA
2001 Heritage Center, Finlandia University, Hancock, Minnesota
2000 Grace Chosy Gallery, Madison, Wisconsin
1999 Grace Chosy Gallery, Madison, Wisconsin
1999 Aaron Bohrod Gallery, University of Wisconsin-Fox Valley, Menasha, WI
1998 DiRicci Gallery, Edgewood College, Madison, Wisconsin
1996 Grace Chosy Gallery, Madison, Wisconsin
1995 Alma College Galleries, Alma College, Alma, Michigan
1994 Evergreen Galleries, Evergreen State University, Olympia, Washington
1994 University of Wisconsin-LaCrosse Galleries, LaCrosse, Wisconsin
1994 Bergstrom-Mahler Art Museum, Neenah, Wisconsin
1993 Wisconsin Academy of Arts and Letters Gallery, Madison, Wisconsin
1992 Cummings Gallery, Mercyhurst College, Erie, Pennsylvania
1991 Farnham Galleries, Simpson College, Indianola, Iowa
1991 Wriston Art Center, Lawrence University, Appleton, Wisconsin
1989 Watkins Gallery, Winona, Minnesota
1989 Main Gallery, University of Wisconsin-Madison, Madison, Wisconsin

• Two, Three and Four Person Exhibitions
2007 -Dindredic Vision: Peace by Piece, Commonwealth Gallery, Madison, WI
2005 -Forest, Rocks, Wind and Water, William Bonifas, Fine Art Center, Escanaba, MI
2005 -Contemporary Watercolors, Bresler Elite Gallery, Milwaukee, Wisconsin
2004 -Nature as Metaphor: Arntson, Koskenmaki, Klebesadel, Grace Chosy Gallery
2003 -Helen Klebesadel and Barbara Strong: Myths and Revelations, James Kaneko Gallery, American River College, Sacramento, California
2000 -The Dream Garden Transcended: Helen Klebesadel and Laura Vogel, Fort Lewis College, Durango, CO
1997-1998 -Three Wise Women, Vorpal Gallery, San Francisco, California
1996 -Mad Womyn and Their Familiars, Blue Star Arts Complex, San Antonio, TX
1995 -Women of Vision/ Objects of Power, Artemisia Gallery, Chicago, Illinois
1994 -Klebesadel and Koskenmaki: Invoking the Mythic, Harry Nohr Gallery
1993 -Incongruous Juxtapositions, Two Artists, University of Illinois at Chicago
1993 -Resonance and Wonder: Gallager*Izs*Klebesadel, Wright Art Museum, Beloit
1990 -Klebesadel and Dribble, Dittmar Gallery, Northwestern University, Evanston, Il

• Group Exhibitions
2007-2008 -Paradise Lost? Artists on Climate Change in the Northwoods. A traveling exhibition of an
artist/scientist collaborative project on climate change in the Lake Superior Region
2007 -Crossroads, Rhonda Schaller Gallery, Chelsea, NYC, New York
2007 -Beaux and Ero, Peninsula Museum of Art, Belmont, CA
2006 -One and Only, John Michael Kohler Art Center, Sheboygan, and ARTspace, Kohler, WI
2006 -Salon D'été 2006, Micaela Gallery, San Francisco, CA
2006 -From Uncle Tom to Peeping Tom: Race and Gender Matters, UW-Milwaukee and AAW Center
2005-ongoing -High Street Gallery Artists, Mineral Point, Wisconsin
2005 -Forest, Rocks, Wind and Water, William Bonifas, Fine Art Center, Escanaba, MiI
2002-2004 -Art In the Embassies Program, U.S.A. Embassy, South Africa
2002-2004 -Art In the Embassies Program, U.S.A. Embassy, Rwanda
2004 -Six of One,, Commonwealth Gallery, Madison, Wisconsin
2001 -Making Art Matter: Artists Transforming Society, Commonwealth Gallery, Madison
1997-2000 -Art In the Embassies Program, U.S.A. Embassy, Columbia, Sri Lanka
1998 -Diverse Origins: an Exhibition of Cultural and Geographic Variety, Core New Space Gallery, Denver, CO
1997 -Red, Grace Chosy Gallery, Madison, Wisconsin
1997 -WCA Auction, Bernice Steinbaum Krauss Gallery, New York
1997 -Seven, Commonwealth Gallery, Madison, Wisconsin
1997 -Deep Water, Sarasota Art Center, Sarasota, Florida
1997 -Inventing Personality and Place, Katherine E. Nash Gallery, University of MiN
1997 -Women Revisioning the Sacred, Muse Gallery, Philadelphia, PA
1997 -Women's Caucus for Art National 25th Anniversary Exhibition, Artemisia Gallery, Chicago,
Faith Ringgold, juror
1996-1997 -Beijing and Beyond: Women Artists Respond to the World Conference on Women, traveling exhibition in response to the Fourth United Nations Conference on Women. The United Nations Gallery, NYC; UT Dallas, TX; Mills College, Oakland, CA; ARC Gallery, Chicago, IL; Penn State U; Washington State U.
1996 -West to East: American Artists, University Gallery, Shimonoseki, Japan
1995 -The World Through the Eyes of Women, U. N. Women's Conference, Huairou, China
1995 -Five From the HeARTland, Walker’s Point Center for the Arts, Milwaukee, WI
1995 -The Spirituality Show, Walker’s Point Center for the Arts, Milwaukee, WI
1994 -Selections ‘94, Cork Gallery, Lincoln Center for the Performing Arts, NYC
1994 -Bali/Wisconsin Women’s Artist’s Books, Seniwati Sanggar Gallery, Bali, Indonesia
1992-1993 -Sticks, traveling group exhibition, Leigh Yawley Woodson Museum, UW Union Galleries, Madison Fine Arts Gallery, Madison, Wisconsin
1992 -Ree-Vision, A.R.C. Gallery, Chicago, Illinois
1991 -Expressions and Commentary, Neville Public Museum, Green Bay, Wisconsin and Cedarburg Cultural Center, Cedarburg, Wisconsin
1991 -Whose Choice, Artemisia Gallery, Chicago, Illinois
1991 -Choice, AIR Gallery, New York, New York
1991 -Bright Visions: The Making of Myth, Rahr-West Art Museum, Manitowoc Wisconsin and Charles Allis Art Museum, Milwaukee, Wisconsin
1990 -In Search of the American Experience, Museum of the National Arts Foundation, New York, New York

• Electronic Exhibitions and Registries
2007-present -Rhonda Schaller Gallery Art Link Network
<http://www.rhondaschallerchelsea.com/helen-klebesdadel-portfolio.html#portfolio>
2007-present -Paradise Lost? Climate Change in the North Woods.
<http://www.wisc.edu/cbe/K12/paradiselost.html>
2002-present -Art In the Embassies Program, U. S. Department of State,
<http://aiep.state.gov/index.cfm>
2002-current -Portal Wisconsin Featured Artist,
<http://www.portalwisconsin.org/online_gallery_artists.cfm?sort=portal>
1996-current -Varo: An International Registry of Contemporary Women Artists, University of California-
Sonoma, <http://www.varoregistry.com/>
1995-current -The World's Women on Line! Internet Installation. World Wide Web,
<http://www.asu.edu./wwol> Index of 800 images by women artists

PUBLICATIONS and CITATIONS

• Authored by Helen Klebesadel
2006 “Reframing Studio Art Production and Critique,” in New Museum Theory: An
Introduction. Ed. Jane Marstine, Blackwell Publishers
2004 "Art Videos for Feminist Practice", Feminist Collections: A Quarterly of Women's Studies
Resources, a review of books, University of Wisconsin-Madison, (winter)
1997 "Feminist Art as Critical Voice: New Books on Art and Aesthetics,” Feminist Collections:
A Quarterly of Women's Studies Resources, a review of books, University of
Wisconsin-Madison, Volume 18, Issue 3 (Spring 1997)

• Catalogues
2007 Crossroads At Rhonda Schaller Gallery, NYC
2006 From Uncle Tom to Peeping Tom: Race and Gender Matters, UW-Milwaukee
2001-2004 Arts in the Embassies Program, Washington D.C.
1999-2001 Arts in the Embassies Program, Washington D.C.
1991 Expressions and Commentary, Neville Art Museum and WiI Women in the Arts
1990 Bright Visions: The Making of Myth, traveling exhibition of (WWIA)
1989 In Search of the American Experience, Museum of the National Arts Foundation
1989 32nd Beloit and Vicinity Exhibition Catalogue, Wright Museum of Art

• Books and Journals
2007 Bates, John, “Paradise Lost”, in Wisconsin People and Ideas, Volume 53, Number 1, Winter, 2007 (Illustration)
2005 Bebhinn, Sarah. Reflections of Cosmology, MatriFocus Cross-Quarterly, Lammas 2005, Vol 4-4, (illustrations).
2004 CALYX: A Journal of Art and Literature by Women, Volume 22, Number 1, summer, (illustrations).
1998 "Helen Klebesadel: Artist", Frontiers: A Journal of Women's Studies, Washington State University, Pullman, Washington
1997 "Wallflower Muses" Feminist Studies, Women's Studies Program, University of Maryland, Volume 23,
Number 1, spring
1994 Pratt, Annis. Dancing With Goddesses: Archetypes, Poetry, and Empowerment, Indiana University Press, (illustration)
1993 Alba, De-Anna. The Cauldron of Change: Myths, Mysteries and Magic of the Goddess, Delphi Press, Chicago, (cover illustration)
1993 “Karon Hagemeister Winzenz," review in New Art Examiner, February
1992 CALYX: A Journal of Art and Literature by Women, Volume 14, Number 1, summer, (cover and illustrations)
1990 Lauter, Estella. “Women as Mythmakers Revisited," citation, Quadrant XXIII: 1
1990 Orenstein, Gloria. The Reflowering of the Goddess, citation, Pergamon
1990 “Medusa Faced," Women Of Power, Boston, winter, (illustration)
1989 “Painting: An Outreach," Women Artists News, Volume 14, Numbers 1 and 2. New York, (Illustration)

• Periodicals and Newspapers
2007 Stockinger, Jacob. Feminism & Art, Capital Times, April 13, Madison, WI
2006 MacLennan, Leanne. “Teaching Watercolor Workshops to Beginners: Pitfalls to Avoid,” American Artist
On-Line, October 17
2006 MacLennan, Leanne. “Teaching Watercolor Workshops to Beginners: Pitfalls to Avoid,” American Artist
On-Line, October 17
2006 ‘Helen Klebesadel, Alared,” Interweave Crochet, Spring,(illustration pp.10)
2003 ‘James Kaneko Gallery’, Sacramento News, April 4
2001 Dunn, Bill, “Women’s Studies Director puts “Activism into Action,” Capital Times, October 4.
1997 "Deep Water", Watercolor 1997 American Artist Magazine, spring (illustration)
1997 Kravetz, Deborah K., "Women Revision the Sacred at Muse", Art Matters, Philadelphia, Feb.
1995 Blocker, Susan. "From Image To Myth,” Wisconsin State Journal, Dec. 15
1994 "Helen Klebesadel: Artist," Hyphen, Chicago, summer issue, (illustrations)
1993 Goddard, Dan R. "Contemporary Arts Month,” San Antonio Express News, Section H. June 27
1993 “Critics Choice," Isthmus, Madison, August 12
1993 Lynch, Kevin. “Waking Dreams," The Capital Times, Madison, August 5
1992 Merkle, Karen Rene. “Bridging the Gap," Showcase, A Guide to the Arts, Erie, Pennsylvania, November 26
1992 Lynch, Kevin. “Wisconsin Artists," Art Muscle Magazine, May, Milwaukee
1992 Rogers, Katherine. "Windows," New Art Examiner, February-March, Chicago
1991 Lynch, Kevin. “State Artists Get Showcase," The Capital Times, Dec.
1990 Auer, James. “Vacationing Critic Can’t Resist," Milwaukee Journal, December 16
1990 Culhane, Ed. “L.U. Professor Offers Challenging Art," Post-Crescent, Oct. 14
1989 Moore, Bill. “Statistics Paint Picture of Chauvinism in The Arts,” Wisconsin State Journal, September 17

ADDITIONAL TEACHING

2001-2007 Private art instruction
1997-2007 Watercolor Instructor, Lawrence University, Bjorklunden Summer Seminar
2007 Seminar Instructor, Fairbanks Arts Festival, Alaska
2007 Finding Your Artist Voice in Watercolor, Shake Rag Alley Art Center, Mineral Point, WI
2005 Finding Your Creative Voice Workshop, Continuing Education, UW-Madison
2005 Finding Your Creative Voice Workshop, summer workshop, Fairbanks, Alska
2005 Watercolor: The Expressive Medium, Shake Rag Art Center, Mineral Point, WI
2005 Finding Your Creative Voice Workshop, Continuing Education, Shake Rag Art
2004 Advanced Critiques for Artists, Continuing Education, UW-Madison
2003 Advancing Your Watercolor Series, Continuing Education, UW-Madison
2003 Finding Your Creative Voice Workshop, Womanspace, Rockford, Illinois
2001 Continuing Education Art Classes, University of Wisconsin-Madison
1999 Faculty, Lawrence University Meilke Summer Teacher's Institute
1997 Guest Instructor, Atelier du Art Summer Program, La Chaux de Fonds, Switzerland
1997 Faculty, Lawrence University Meilke Summer Teacher's Institute
1990-91 Visiting Faculty, Arrowmont School of Art and Crafts Summer Program

PUBLIC COLLECTIONS AND COMMISSIONS

Ellen & Peter Johnson HospiceCare Residence, Madison, WI
Madison Area Technical College, Madison, Wisconsin
Lawrence University, Appleton, WI
American Council on Education (ACE), Washington D.C.
Central Wisconsin Center, Madison, Wisconsin

GALLERY REPRESENTATION

Grace Chosy Gallery, Madison, WI
High Street Gallery, Mineral Point, WI
Rhonda Schaller Gallery, ArtLink Network, New York City, NY

PROFESSIONAL AND ACADEMIC APPOINTMENTS

2000-present Director, Women’s Studies Consortium, University of Wisconsin System
2001-2004 Visiting Associate Professor and Associate Chair, Women’s Studies Program, University
of Wisconsin-Madison
1996-2000 Associate Professor, Art Department, Lawrence University
1990-1996 Assistant Professor, Art Department, Lawrence University
1993 Visiting Faculty, Associated Colleges of the Midwest, Chicago Semester in the Arts
1989-1990 Lecturer, Art Department Beloit College
1987-1989 Teaching Assistant, Women’s Studies Program, University of Wisconsin-Madison
1987 Reader and Grader, Department of Art History, University of Wisconsin-Madison

PROFESSIONAL AND COMMUNITY SERVICE

2006-2009 Member of the Wisconsin Arts Board, appointed by Governor Jim Doyle
2002-2005 CitiArts Commissioner, Madison Wisconsin
2002-2005 Board of Directors, National Women’s Studies Association
2003 Wisconsin Arts Board Percent For the Arts Panel
2000 Steering Committee Member, Wisconsin Visual Arts Council
1999-01 Women’s Caucus for Art Emerging Artist Mentor
1990-98 National Board of Directors, Women's Caucus for Art, Immediate Past President,
National President, 1994-96, First Vice President 1992-94.
1995 Delegation Leader, of a 100 person WCA delegation to the NGO Forum 95 of the Fourth United
1990-92 President, Central Wisconsin Women's Caucus for Art
1989 Community Mural Coordinator, W.O.R.T. Community Broadcast Mural, Madison
1978-1979 Artist in Residence, Central Wisconsin Center, funded by Wisconsin Art Board. CETA and
Wisconsin Department of Health and Human Service

EDUCATION

University of Wisconsin-Madison
M.F.A. 1989. Exhibition Title: "The Muse and Her Artist"
B.S. Studio Art with distinction, 1986
Certification in Women's Studies, 1984
Layton School of Art and Design, 1971-1972

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